Thursday, July 30, 2009
Tuesday, July 28, 2009
There are several items in the shop highlighting this beautiful summer color.
set of 3 dipping bowls
(we added a little white to this one and at my request, we are doing some solid white pieces soon...can't wait to show you those!)
And here is where it all began. This ruffle bowl was glazed in a progression of blues to greens....starting with oasis at the base, then forest green, then spring green. The result of combining forest green and oasis was a beautiful surprise!
Sunday, July 19, 2009
This one is an easy one. Just hop on over to the shop and tell us your favorite item in the shop. Leave a comment on this post and an email address or link to your blog (we have to let you know if you win after all : ) We'll pick a winner in two weeks on Sunday, August 2 , so enter now for your chance to win! (For those that haven't figured out commenting, see this post or just email us stonelotuspottery [at] gmail [dot] com).
Get additional chances to win:
1) post a link to our shop and giveaway on your blog
2) post about this giveaway on Facebook
Just leave additional comments letting us know and we'll enter your name up to three times!
Only available within the U.S. You must leave a way for us to contact you in order to win. Once notified of winning, you have one week to provide a shipping address or we'll pick another winner. Good luck!
Wednesday, July 8, 2009
She also trims the base of the piece to give it a clean edge and sharpen the lines. She centers it on the wheel (upside down) and holds it in place with a few pieces of clay. Then she can use a few different tools to trim the edges.
Once dried and trimmed, the piece is ready for the first firing. This stage of "bisque firing" is done at a lower temperature and the result is called bisque ware. This first firing removes all the moisture and gets the piece ready to take glaze.
Here is some of the bisque ware at the studio....
Next, she melts wax and dips the bottom of each piece to coat. This forms a barrier so glaze won't cover the bottom. The glaze would melt and stick to the shelf in the kiln during the next firing, so it's a good idea to keep the bottom clean!
Then it's time for the heavy artillery. She uses this compressor to spray or airbrush glaze onto each piece. There are about a thousand ways to put glaze on bisque ware, but she's quite fond of spraying. We've dipped and sponged and painted, too.
She rests the piece on a bat (kind of like a lazy susan) so she can spin it while spraying.
And then starts spraying...
Glaze is simply a mixture of silica, oxides, and colorants suspended in water. Because bisque ware is so porous, it practically soaks up all water from the glaze and you're left with layers of what feels like chalk on your piece. This is where I think it's safe for me to say it takes a lot of skill to glaze well. It's not like you're seeing the bright, shiny colors that will be on the final product. You have to know exactly how much is enough and what the colors will do when mixed without being able to see them during the spraying process.
Here are a few other bisque ware pieces with glaze from the studio. Here you can see some of the darker colors stand out, but most of it is just pale whitewash. I keep pointing this out because I was shocked the first time I saw this process. It's just amazing to me how much you have to do by feel and with practice.
But this gunmetal one will be in the shop soon...
And the other gunmetal ring?!?! A certain potter may or may not be wearing her first ever piece of fashion jewelry. So proud!